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Book Review: Legendary Frybread Drive-In: Intertribal Stories

Rating: 4.5 stars

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June’s Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June’s serves up more than it hosts, live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young. In partnership with We Need Diverse Books.

I received a digital copy of this book through the publisher on NetGalley for an honest review.

As a white woman who hasn’t gotten the opportunity to read Indigenous Writers’ works, I felt like this collection of short stories was a good way to introduce me to their voices. Legendary Frybread Drive-In: Intertribal Stories is a collection of stories told from the perspectives of various Indigenous characters, all of whom are seeking something. And how going to Sandy June’s Legendary Frybread Drive-In helps them find exactly what they’re looking for.

The biggest themes in this collection, I noticed, were connection, acceptance, family, and love. Each of the short stories here explores one or more of these themes through the characters and their experiences as they end up at Sandy June’s. And as this book is geared towards a YA audience, particularly for Indigenous YA, these themes are great ones for the audience these stories are aimed at. Even though I know I’m not the main target audience for this collection, I love reading YA along with short story collections from authors who don’t look like me because I always find myself learning something from what I read. And my experience with reading Legendary Frybread Drive-In: Intertribal Stories was no different. I saw through these stories how much of a community Indigenous Persons cultivate with each other, and I love it.   

From the first page, Sandy June’s sounded like a magical place. A place that I know, if I were an Indigenous Person, I would be interested in finding. It felt magical because the way to finding it was different for each Indigenous Person. But also in a lot of these stories, it felt like those who were lost also stumbled upon it, too. It was a beautiful thing to me because their reactions to this wonderful-sounding place were all disbelief and wonder. And then getting to see how they all interacted with everyone else already there when they arrived was great too. I also loved the descriptions of the place and what it had to offer Indigenous Persons who made it there.

I also enjoyed Legendary Frybread Drive-In: Intertribal Stories because of the emotions it evoked in me. In certain stories I read, I was really giddy with happiness at how things turned out. Then others made me burst into tears. Even though I’m not an Indigenous Person, I felt for these characters who found themselves at Sandy June’s for different reasons. I also loved the variety of these stories, as I felt like this collection had a unique set of Indigenous characters.

If there’s anything with this collection I would like is that I wanted more. I wanted to know about the characters’ stories, what their lives were like after going to Sandy June’s. I think this could’ve been accomplished by making a summary after the stories, talking about Sandy June’s impact on their lives.  

Legendary Frybread Drive-In: Intertribal Stories was a wonderful read that I highly recommend. I especially recommend this collection to Indigenous Persons, young adults, anyone who enjoys reading short story collections, and anyone who wants to read about other cultures. I feel like anyone who reads this will learn something from it, so I’m hoping more people read this collection. Legendary Frybread Drive-In: Intertribal Stories was published on August 26, 2025, for anyone interested in giving this a read.    

Book Review: Sing the Truth (The Kweli Journal Short Story Collection)

Rating: 3.5 stars

Celebrating 15 Years of Kweli: A must-read collection of bold BIPOC voices.

Hailed as “The Paris Review of BIPOC literature,” Kweli Journal has been a launching pad for many of today’s most celebrated writers. This powerful anthology marks the journal’s 15th anniversary, showcasing 15 unforgettable stories curated by founder Laura Pegram.

With a foreword from award-winning author Edwidge Danticat, the narratives included in this vivid anthology explore the devastation of leaving home and the struggle to adapt to reimagined lives, lost loves, distant families, and buried pasts.

Featuring works from authors including Naima Coster, DéLana R.A. Dameron, Nicole Dennis-Benn, Daphne Palasi Andreades, Susan Muaddi Darraj, and Princess Joy L. Perry, this collection is a testament to the richness and diversity of voices often marginalized in mainstream literature. These stories delve into themes of displacement, loss, and resilience, challenging readers to broaden their perspectives and deepen their understanding of the human experience.

All proceeds from this collection go directly to Kweli Journal, ensuring the continued support of emerging BIPOC writers and the creation of a vibrant literary community.

I received a digital copy of this book on NetGalley for an honest review.

The collection of short stories in the Kweli Journal’s Sing the Truth was an enjoyable read for me. What I liked about these stories is how I felt like I was the person narrating their stories, like I was living their everyday experience. Even though I know I can’t relate to these characters and all their struggles, I didn’t feel that way when reading their stories. I believe a lot of that is due to how real these characters’ struggles felt to me, which is what I was hoping for when I read this collection.

What I also enjoyed reading Sing the Truth was getting to read stories from BIPOC writers. I’m going to be honest, I’m not always the best at reading a diverse set of books. I have a particular set of genres that I really enjoy reading, and I typically stick to reading books within those genres. However, from time to time, I find myself wanting to give other genres in literature a try.  That is when I find myself reading stories I typically wouldn’t, and end up discovering books I enjoy more than I was expecting to.

For me, whenever I read, I usually read books that allow me to escape reality. But I have come to realize, too, that I need to branch out when I read. And for me, that involves reading books outside of the genres I typically enjoy and reading stories that take me out of my comfort zone. As a white woman, I feel like it’s really important that I read stories from BIPOC authors and that I read stories about characters whose voices need to be heard. Stories that are not geared towards someone like me as their intended audience, but that someone like me needs to read all the same, because of the importance of reading about others’ struggles, even if you can’t necessarily relate to them. I also feel like it’s important to read works written by BIPOC authors because I see it as a learning opportunity about other cultures and to acknowledge the struggles people go through just because of the color of their skin. So, for me, I also enjoyed reading this book because of the stories being written by BIPOC writers and having the chance to read about struggles from a perspective I know I’ll never have to face.

What I also found enjoyable about the stories in Sing the Truth was the different themes. A lot of the characters in this collection struggled with loss, feeling out of place, and finances. I enjoyed these stories because they talk about these struggles and how the characters here get through the challenges they are dealing with. I especially enjoyed reading the stories in the collection that focused on loss because of my own experiences with loss that I’ve dealt with. I felt like I could relate to those characters and the choices they made to deal with the loss they were experiencing, even though their loss is different from mine.

There are only two things with this collection of short stories that I didn’t particularly enjoy: the characters and endings. Some of the characters in the short stories I didn’t particularly like. I don’t know for sure if the authors who wrote them made that intentional, but I found some of the characters unlikable. I felt sympathetic for them because of what they were going through, but didn’t like them because of some of the choices they made or how they treated members of their family in the story. The characters, in particular, that come to mind for me are the mothers in most of these stories because of how they used their daughters to get the money they needed. While I understood that they were going through a tough time and needed the money, I wasn’t okay with this aspect in those stories because I felt like the daughters weren’t given a choice in the matter, and the mothers didn’t act like they cared. I also didn’t like the endings for a majority of the stories in this collection. Mostly because I felt like some of the stories ended with no real resolution, or in the middle of the story I was reading, being told. They didn’t make sense to me because they left me feeling like there was more of the characters’ story the author had to tell.

But overall, I enjoyed reading this collection of short stories from the Kweli Journal’s Sing the Truth (link here for anyone interested in checking out their website to learn more about them: https://www.kwelijournal.org/ ). While there aren’t certain stories within the collection that stand out to me to name as my favorite, I enjoyed reading a variety of stories and reading about struggles told by BIPOC authors. Sing the Truth was published on May 13, 2025, for those interested in reading this collection from the Kweli Journal.            

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